… Interestingly, the processual began at some stage to figure as a new starting point and crux in the development of the 50-something generation of artists who had once belonged to the figurative, neo-expressive junge Wilde movement. The paintings by Thomas Reinhold included in the exhibition, for example, can be described as almost programmatic in this respect. His integration of a neon tube into a painting after it fell on the work during a fire at his studio demonstrates his adoption of the principle of chance, while another work exemplifies how dripping paint and brush marks are factors in the emergence of a picture. …

Edelbert Köb, in „Painting: Process and Expansion. From the 1950s to the Present Day“,
Museum Moderner Kunst Stiftung Ludwig Wien, 2010